{"id":1,"date":"2019-11-05T02:32:45","date_gmt":"2019-11-05T01:32:45","guid":{"rendered":"http:\/\/www.super-from.com\/?p=1"},"modified":"2020-11-24T13:03:02","modified_gmt":"2020-11-24T12:03:02","slug":"shane-lutzk-ceramica-tradizione-tecnologia","status":"publish","type":"post","link":"https:\/\/www.super-from.com\/en\/2019\/11\/05\/shane-lutzk-ceramica-tradizione-tecnologia\/","title":{"rendered":"Shane Lutzk: ceramic between poetry, tradition and technology"},"content":{"rendered":"

An artistic residency Overseas: from Illinois to Savona Ceramics Museum<\/h4>\r\n\r\n\r\n\r\n
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Shane Lutzk working on the lathe \u00a9 Federica Delprino<\/figcaption>\r\n<\/figure>\r\n\r\n\r\n\r\n
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Savona<\/strong>. Luglio inizia e, mentre l’estate incalza caldissima, in citt\u00e0 c’\u00e8 un nuovo arrivo: Shane Lutzk<\/a>. Classe ’92, il giovanissimo artista americano arriva non solo per godersi lo splendido Mar Ligure, ma per una residenza artistica presso il Museo della Ceramica<\/a> di Savona. Durante la sua permanenza ripropone i suoi monumentali vasi, ma anche un percorso di sperimentazione verso nuovi concept e poetiche grazie all’integrazione della stampante 3D ceramica.<\/p>\r\n\r\n\r\n\r\n

L’artista, invitato dal maestro Sandro Lorenzini – ceramista ligure – e ospitato da Tiziana Casapietra Direttore del Museo della Ceramica di Savona, \u00e8 diventato il primo ospite del nuovo MUST LAB. – laboratorio di ceramica del museo. Si tratta di un brillante modo per unire le classiche tecniche della lavorazione ceramica all’innovativa stampa 3D.<\/p>\r\n\r\n\r\n\r\n

The artist experimented modeling his typical gigantic vases through various modular pieces, shaped through a lathe and decorated; but at the same time he gave a new interpretation of his famous \"rings\" through the use of the 3D printer for clay.<\/p>\r\n<\/div>\r\n\r\n\r\n\r\n

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3D-printed ceramic artworks<\/h4>\r\n\r\n\r\n\r\n

Indeed, the museum's laboratory owns an LDM Wasp Delta 4100 printer<\/a>, a 3D printer using ceramic as a material.\n
How does it work? It is a process of digital craftsmanship: the clay is manually processed and placed in the tank connected to the extruder. Then, by loading a properly prepared 3D model, we can print. It might sound simple, but it's not.
\nThe artists have designed and produced a series of works with the designer Omar Tonella<\/a>, who helped designing the 3D models, handling the machine and preparing the clay with the ceramic expert Lorenzini, whose experience has been essential to properly process the material.<\/p>\r\n\r\n\r\n\r\n

You can read many articles on \" Mediterranean <\/strong>\", the installation resulting from the collaboration between Lorenzini and Lutzk. However, we'd like to underline the how this residency has been based on the contact between digital and ceramic, which have been equally important for the creative experience.
The 3D printer is a further tool to work with a material that belongs to the tradition of the territory.<\/p>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n

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    Shane Lutzk al tornio rifinisce la propria opera con la fiamma ossidrica \u00a9 Federica Delprino<\/figcaption>\r\n<\/figure>\r\n\r\n\r\n\r\n
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    3D printing and poetics<\/h4>\r\n\r\n\r\n\r\n

    According to his own experience, Omar Tonella tells us that: \"The poetics of an art piece meets a technological mean, the ceramic 3D printer, which is nothing more than another useful tool for creativity.<\/p>\r\n\r\n\r\n\r\n

    We don't have to forget how to use our hands and neither how to process the clay, which are essential abilities both to work traditionally or with the 3D printer.<\/strong>The artist has reinterpreted his \"deformed rings\" by mixing the glaze, typical in his works, with the horizontal lines generated by 3D-printing.<\/p>\r\n\r\n\r\n\r\n

    These sculptures tell about his disease, diabetes, which he has lived with for many years. The result is an engaging narrative translation of the body, which brings the observer into dynamic and sinuous shapes. In this case, technology stays aside to the consolidated language of the artist, who is renewed by proposing a theme that's important for him. The manual intervention on the artifacts born from thedigital drawing is central, used as a chisel to give shape to a new imaginary.<\/p>\r\n\r\n\r\n\r\n

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      Delta Wasp 40100 while printing\u00a0\u00a9 Federica Delprino<\/em><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n
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      Sandro Lorenzini e Omar Tonella preparano il piano per la lavorazione dell’argilla\u00a0\u00a9 Federica Delprino<\/em><\/figcaption>\r\n<\/figure>\r\n\r\n\r\n\r\n
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      Shane Lutzk e Omar Tonella working together\u00a0\u00a9 Federica Delprino<\/em><\/figcaption>\r\n<\/figure>\r\n\r\n\r\n\r\n

       <\/p>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n

      Finally, it's useful to think about the role of the ceramic 3D printer: it is not a competitor for artisans, but one of the tools able to give birth to new artistic scenarios. The new digital native artists are used to a language flexible to also use contemporary digital technologies in the ceramic world. Clay features as a material<\/strong> are always the main theme in this context based on the keyword \"innovation\".<\/p>\r\n\r\n\r\n\r\n

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      \u00a0<\/div>","protected":false},"excerpt":{"rendered":"

      Una residenza d’artista in viaggio Oltreoceano: dall’Illinois al Museo della […]<\/p>\n","protected":false},"author":1,"featured_media":1257,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_vp_format_video_url":"","_vp_image_focal_point":[]},"categories":[21,22],"tags":[61,47,50,29,60],"yoast_head":"\nShane Lutzk: ceramica tra poetica, tradizione e tecnologia - SUPER-FROM<\/title>\n<meta name=\"description\" content=\"Una residenza d'artista in viaggio Oltreoceano: dal Missouri al Museo della Ceramica di Savona. 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